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so the anser to this is going to be
With few exceptions, all characters of the Commedia dell’arte belonged to one of three categories: masters, lovers, servants.
– Masters: adults, landowners, merchants, businessmen etc.
– Most popular masters were Pantalone, Dottore, Capitano.
– Lovers: young attractive ladies, handsome effeminate men.
– Servants (zanni, pl.): typically young, most often male, witty (sometimes stupid), physical.
– Most popular and recognisable servant was Arlecchino (Harlequin).
All characters were:
– one-dimensional
– stereotypical
– caricatured
– satirical
– “stock” qualities (conventional, repeated, anticipated, unchanged)
– Commedia characters did not develop or learn from previous mistakes.
– All Commedia characters are referred to as “masks”, meaning “character type”, which includes the actual mask (if worn).
– Even unmasked characters were referred to as “masks”.
so the anser to this is going to be
With few exceptions, all characters of the Commedia dell’arte belonged to one of three categories: masters, lovers, servants.
– Masters: adults, landowners, merchants, businessmen etc.
– Most popular masters were Pantalone, Dottore, Capitano.
– Lovers: young attractive ladies, handsome effeminate men.
– Servants (zanni, pl.): typically young, most often male, witty (sometimes stupid), physical.
– Most popular and recognisable servant was Arlecchino (Harlequin).
All characters were:
– one-dimensional
– stereotypical
– caricatured
– satirical
– “stock” qualities (conventional, repeated, anticipated, unchanged)
– Commedia characters did not develop or learn from previous mistakes.
– All Commedia characters are referred to as “masks”, meaning “character type”, which includes the actual mask (if worn).
– Even unmasked characters were referred to as “masks”.
